Chord Progressions
As you may have noticed by now, certain chords seem to appear again and again when playing in particular keys. For example:
· C Major; F, G, Am
· G Major; C, D, Em
· D Major; A, G, Bm
Sound familiar? Let’s take a look at how these chords are inter-linked.
The Major Scale
Don’t start panicking, it’s not as scary as it sounds! To understand chord links, let’s look at an example. We’ll start with C Major, as it has no sharps or flats and makes life easier!
Diatonic Interval T T S T T T S Note or Chord C D E F G A B C
Above is the C major scale, with the root of the scale in red, from which the scale gets it’s name, and the tonal intervals above i.e. D is a Tone (whole note) above C, F is a Semi tone (half a note) above E. If this confuses you, try looking at a keyboard. Think of the black notes as Semi tones!
Diatonic Intervals
How does the above scale help us understand chordal intervals? For every note in the scale, there is a chord of the same name.
Diatonics involves splitting all of the chords in a major scale into three groups.
· Tonic- start, or place of rest
· Sub-dominant- passing between tonic and dominant
· Dominant- resolving, or finishing
Let’s give our chords some numbers:
Tone Tone Semitone Tone Tone Tone Semitone C D E F G A B C I I I III I V V V I VII I Maj Min Min Maj Maj Min Dim Maj
· Tonic – I Also III, VI
· Sub-dominant – IV Also II
· Dominant – V Also VII
Looking at our example above, we can see how chords are linked to whichever key or scale you are in. Try a tonic, sub-dominant and dominant in that order. i.e.
I IV V III IV V VI IV V I IV III C F G Em F G Am F G C F Em
You may find it reminds you of several songs!
Confused? Ok, let’s try it with a different key. e.g. D
So, our scale would be:
Tone Tone Semitone Tone Tone Tone Semitone D E F# G A B C# D I I I III I V V V I VII I Maj Min Min Maj Maj Min Dim Maj
Ok, in the key of D, our examples above would look like this:
I IV V III IV V VI IV V I IV III D G A F#m G A Bm G A D G F#m
Ok, so it might not look like Stairway To Heaven, but let’s mix and match a little:
I II V I IV V IV I VI IV V I D Em A D G A G D Bm G A D
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